Current Engagements

March 9, 16, 29, April 28, May 5, June 9, 2019

Amastre

Xerxes

Theater Magdeburg

April 18, 19, 2019

Soloist

Die Kindertotenlieder, Mahler

Theater Magdeburg

June 7, 2019

Sister Helen Prejean

Dead Man Walking

Welsh National Opera

June 15, 2019

Soloist

Opera Gala

Operafest Røykenvik

  

Recent Press

Mazzoleni Songmasters Concert‚ Toronto

operaramblings.blog

'Lucia’s other contribution to the first part of the show was Mercure’s Dissidences; Trois mélodies sur des poèmes de Gabriel Charpentier. The songs place quite different demands on the singer; somewhat frenetic in Les lions jaunes hurlent dans le sable‚ long lyrical lines in Psaume: Le dégaut des chose parfumées et faciles and a need for real power (that we got) in Le cri de joie....
After the break Lucia gave us Mahler’s Fünf Rückert-lieder. This was very fine singer with a wide emotional range. Ich atmet’ einen Linden Duff was lovely and lyrical and the rendering of the great Um Mitternacht literally hair raising (or at least my neck thought so). '

AIDA Amneris, Aida

OPERNGLAS

‘Lucia cervoni als Amneris betört dabei mit nuanciertem‚ dunkel schattiertem‚ schon präzise flutendem Mezzo‚ der Derkadenz und Laszivität verströmt. ...ging die y ihrem traurigen Höhepunkt mit der bestechenden Leistund der kanadischen Mezzos als dramatischauthentische aussingender Amneris letztlich dennoch absolut zufriedenstellend ihrem Ende entgegen /// Lucia Cervoni as Amneris beguiles with nuanced‚ darkly shaded‚ beautifully precisely flowing Mezzo‚ which exudes the cadence and lasciviousness. ... the tragedy finally ended its sad climax with the captivating performance of the Canadian mezzo as a dramatically authentic outgoing Amneris'

WELSH NATIONAL OPERA Octavian, Der Rosenkavalier

OPERA MAGAZINE

Lucia Cervoni’s Octavian is naïve and impetuous but genuinely devoted; her mezzo is wonderfully firm and clean‚ full of youthful freshness. Handsome in a red-trimmed grey frock‚ Octavian bursts with an adolescent swagger - collar turned up‚ sword stabbing the floor between his legs - which is softened by Cervoni’s warm lyricism.

WELSH NATIONAL OPERA Octavian, Der Rosenkavalier

CRITICS CIRCLE

The trio of sopranos – Evans and Louise Alder (Sophie) with mezzo Cervoni – pulled out all the stops: what a team. Evans disappears for much of the show‚ but still managed to dominate proceedings. Cervoni started good and got better in the trouser-role that turns into a frock-and-pinny one before re-breeching‚ if you see what I mean. Her scordatura ‘Mariandel’ went down a treat.

Publicity Photos

Photography by Tom Wolf

 

Octavian, Der Rosenkavalier

Welsh National Opera, 2017

 

Siébel, Faust (Gounod)

Theater Magdeburg, 2016

Photography by:  Nijhof

 

Julie, Julie (Boesmans)

Canadian Stage & Soundstreams Canada, 2015

Photography by:  Cylla von Tiedemann

 

Donna Isabella, Die Braut von Messina

Theater Magdeburg, 2015

Photography by Nilz Boehme

 

Dorabella, Cosi fan tutte

Theater Magdeburg

Photography by Andreas Lander

 

Octavian, Der Rosenkavalier

Theater Magdeburg, 2014

Photography by Nilz Boehme

 

Eboli, Don Carlo

Theater Magdeburg, 2012

Photography by Nilz Boehme

 

Charlotte in Werther

Theater Magdeburg 2011

Photography by Andreas Lander

 

Carmen in Carmen

Theater Magdeburg 2010

Photography by Nilz Boehme

 

Tobias Wellemeyer's 'Liebeslieder'

Theatre: Theater Magdeburg 

Photography by:  Hans-Ludwig Boehme

 

Cornelia in Giulio Cesare

Glimmerglass Opera 2008

 

Dritte Dame in Die Zauberflöte

The Santa Fe Opera 2006

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